This post was originally published on June 11, 2013.
Under my great-grandma Coley’s ornate dining room table, I made the first make believe world that I can remember.
The table’s four thick legs splayed out from a center pole and ended in wooden lions’ paws clutching wooden balls. Whenever it rained or it was too hot in the Shenandoah Mountains to play outside her tiny house, I would retreat from the murmur of adult conversation into the dim, dusty world under the lace tablecloth. The swirling Persian rug–cut into the thick, rosy quarters of a pie by the table legs–became a house, with one separate room for my Breyer horses, one for the wooden chess pieces she let me play with, one for the ragged Barbies my brother tortured and another for the Kens. The dolls never cohabitated in my chaste make believe world.
I was practicing, I suppose, play acting out a life that I might make come true one day, with rooms and animals and children and gardens. Make believe allows the players to try things out, to escape from the mundane or the horrible, to build a vision. And not just children engage in make believe. Adults indulge. And writers do it every day.
The new issue of the Little Patuxent Review carries through it the theme of make believe in ways both strange and wonderful. The Wright Brothers drink Manhattans in a bar and marvel at modern life (that’s Bruce Sager’s poem, also his tongue-in-cheek critic’s take on that poem). A man adopts a Houdini of an octopus when he’s not quite ready for human companionship (that’s Ann Philips’ microfiction). A dead mouse’s odor slips between a couple and elicits a tiny, poisonous deception (that’s Jenny Keith’s sly story). And a child, unsure of the meaning of “adultery,” decides it means playing an adult and confesses her many sins to a nonplussed priest (that’s Ann Bracken’s sweet, funny poem).
All those writers and more will read their work at the launch event for the Little Patuxent Review’s summer issue, our tenth issue, on Saturday, June 18, 2 to 4 PM, held in partnership with the Columbia Festival of the Arts.
Readers will also include Derrick Weston Brown, Erin Christian, Caryn Coyle, Barbara Westwood Diehl, David Evans, Susan Thornton Hobby (that’s me), Danuta Kosk-Kosicka, Laurie Kovens, Karen Sagstetter and Patricia Jakovich VanAmburg, plus Tara Hart, reading a poem about pretending, forgetting and remembering. Tara will also reprise her poem “Patronized,” which first appeared in last summer’s Spirituality issue and recently was recently awarded a Pushcart Prize.
It’s hot outside, but it’s cool and dark here under our great-grandmother’s tables, playing make believe. Come join us.
NOTE: If you like’d this republished work, check out LPR’s Issue 10: Make Believe https://littlepatuxentreview.org/sales/individual-issues-2/.