Ann Bracken Panelist in March 17 Event: “Visionary Women: The Journey, Art About Women by Women”

On March 17, contributing editor Ann Bracken will serve as on a panel discussing an invitational art exhibit, “Visionary Women: The Journey, Art About Women by Women,” which celebrates the talents and art of women from Howard County and elsewhere in Maryland during National Women’s History Month.

For more information, please Columbia Art Center at 410-730-0075 or email Art.Staff@ColumbiaAssociation.org.

Columbia Art Center is located at 6100 Foreland Garth in Columbia.

Advertisements

Why I Write: Maintaining My Practice

Linda Joy Burke is a performance poet, writer, picture taker, workshop facilitator, and interactive music maker. She’s also a contributing editor for Little Patuxent Review. We’re grateful to her for this blog post.

I bought a T-shirt from a poet colleague at a local literary festival, a couple of decades ago, which had a picture of a quill pen and ink, and the phrase “practicing poet” on it. I was delighted with my find, until the passing stranger at another literary festival read my shirt and asked me, “do you have it right yet?” I immediately felt a little insulted. Not thinking that practice was about right and wrong. He just didn’t get it, I thought–his view of practice was limited.

Back when fountain pens and penmanship was still a thing, and moleskin journals were cool, I strove to write every day. These days I don’t try to fill up pages for the sake of writing everyday anymore. Instead I fill up pages when I am following a thread, an idea, the snippet of a story I may have observed or overheard that demands more attention.

Looking back on some of those journals from my early years is both boring and enlightening. (Mental note to self: I should probably bury those books before I take my last breath.) Thankfully the content did improve as I aged, and life’s vast experiences became the spice that guided my words.

I generally try to write something for consumption in the public domain every day, through a social media channel where I am counting characters. This everyday writing model is so different than the free flow words of my younger days, since in this medium we write for vaster audiences of folks who are largely unknown. In this age of 24-7 spin and intense political and social turmoil, honing craft in this domain adds a level of responsibility which at this point in my life I welcome.

I lean on immersion in nature, making and listening to music, reading, deep listening and long periods of silence so I can troll my inner life for inspiration. I am prone to just let words come and then walk away from them–sometimes for years or more as part of my practice. When I’m ready, I go back through books and books of script, and Word work-in-progress files, to find what’s worth saving and re-working. This essay is an example of that mining for material.

Continue reading

LPR on the Shelves

You can pick up the latest Little Patuxent Review and save shipping! Now at Barnes and Noble at the Columbia Mall! Check out this great store that also has Starbucks coffee shop. Address: The Mall in Columbia, 10300 Little Patuxent Parkway, Columbia.

The LPR is crammed full of stories poems and art, an absolute treasure! Only 500 printed and already 250 sold. Can’t go to Columbia? Here’s the link to buy issues online: https://littlepatuxentreview.org/sales/individual-issues-2/

Meet Our Contributors: Q&A with Grace Kiyonaga

Grace on the trip that inspired “June in California” (click to enlarge).

Grace Kiyonaga is a poet living in Washington, D.C. Originally from Maryland, she made her way back to the D.C. area after living in New York City and exploring Chile. Grace discovered her voice while minoring in creative writing at NYU. She finds solace in how poetry captures her passion for and constant observation of life and her adventures, big and small.

Grace’s poem, “June in California,” appeared in LPR’s Winter Issue 2019 (available for purchase through this link). She read this poem at our issue launch in January (video below). We’re very grateful she’s willing to answer a few questions for us.

Q: Congratulations on your first published work! Really though, we at LPR are the lucky ones to have published you. Is it different seeing this poem in print from when you first finished it?

Thank you! Receiving my Little Patuxent Review acceptance email was such a rush of joy and excitement. About a year ago I decided I was going to buckle down and start writing more and submitting my work to journals. It’s been an amazing feeling to be a part of this journal and to see my poem printed alongside so many talented writers. It still feels surreal and makes me smile every time I think about it. Seeing the poem in print has allowed me to have more appreciation for what might make it stand out to a reader. I hadn’t really imagined what my first published work would look or feel like because it felt so far-fetched. The experience of being accepted by LPR, reading at the Winter 2019 Launch, and flipping through the journal and seeing my poem is far more special than I could have ever imagined.

Q: I notice that in your bio, you describe “solace” in how poetry captures your passion for life. The last line of “June in California” refers to “the thrill of making everything a story.” What’s the relationship, in your words, between this solace and this thrill?

Writing and reading poetry take me to a place I would describe as calm, alive, observant, loving, and full of possibility. I think the connection is that for me, poetry can take even the most ordinary aspects of life and the simplest interactions with people, objects, ideas, and emotions, and make them beautiful. I often find that poems can vibrate into the reader and cause them to feel like there is someone out there who has taken what they also observe as worthy of celebrating and put it into an awe-inspiring combination of words that tell a story.

Q: How did minoring in creative writing help you to discover your voice?

I had a great time minoring in creative writing and being part of a creative writing club while in I was in undergrad. I say these experiences helped me to discover my voice because they introduced me to a form of expression that hadn’t seemed approachable to me before. I look back now and I cannot help feeling like I took it for granted! The chance to read numerous collections of poetry and workshop weekly with my peers was defining for me. The practice helped me take the images and emotions I wanted to express and put them onto paper.

Continue reading

Meet the Neighbors: Q&A with Shaileen Beyer

Little Patuxent Review reminds all its readers and contributors that we are sponsoring a free poetry contest for Maryland residents with the Enoch Pratt Free Library. The winning poem will be published in Little Patuxent Review, honored at a reading at the Library, and celebrated at Baltimore’s CityLit Festival. Runners-up may also be considered for publication. The deadline is March 1, 2019.

Shaileen Beyer is a librarian and member of the Poetry Programming Work Group, which administers the contest. A native Baltimorean, Shaileen has worked in the Fiction Department at the Central Library since 2005. She has a Ph.D. in English and a master’s degree in library science.

We’re very grateful she’s willing to answer a few questions for us.

Q: What’s the mission of the Enoch Pratt Free Library?

The Pratt’s mission is to “provide equal access to information and services that empower, enrich and enhance the quality of life for all.” As the State Library Resource Center, the Central Library has an additional mission. It “provides cooperative, cost effective, statewide resources and services for Maryland libraries and their customers.”

The Poetry Contest realizes both missions: it creates free opportunity for Maryland artists and shines a bright light on poetry, which brings out the best in us all.

Q: What’s the history of this contest?

The Poetry Contest was the idea of my colleague Lisa Greenhouse in 2011. We were brainstorming ways to make poetry more visible, and she said, “We should have a contest and put the winning poem in the window!” (The Central Library has enormous show windows.) LPR came on board to judge the entries and publish the winner—a collaboration that we’ve repeated now for six of the contest’s eight years, turning to Poet Lore for the other two. The CityLit Festival organizers have helped every year by making room in their schedule for the winner. The Pratt has such good neighbors.

Q: What resources for writers do you have at the library?

Writing begins in reading, as poet Charles Wright reminds us when he quotes poet Theodore Roethke: “You want to be a writer? There’s the library.” At the Pratt we have terrific retrospective and contemporary collections in all imaginable genres. Looking for oodles of plays? Publishing tips or writing prompts? The poetry scene’s newest arrivals? Stop by the Central Library, or visit our online catalog to find e-books or request transfers of print books to any Pratt branch.

We also feature wonderful free programming for would-be authors. Poetry & Conversation and Writers LIVE! readings—often preserved on podcasts—inspire listeners with magical passages. Writing workshops led by esteemed teachers such as Clarinda Harriss cultivate skill and confidence. And gatherings like the Central Library’s Writers’ Roundtable allow people to share what they have made.

Continue reading

Meet Our Readers: Q&A with Raima Larter

Raima Larter is a fiction reader for Little Patuxent Review. She lives in Arlington, Virginia and received her MA in Writing from Johns Hopkins University in 2016. Prior to devoting herself to full-time writing, Raima was a college chemistry professor in Indiana. She moved to the Washington, D.C., area in 2003 to work for the National Science Foundation, a federal agency located in northern Virginia. Her first novel, “Fearless,” will be published by New Meridian Arts Literary Press this year. You can read more about her work at raimalarter.com.

We’re very grateful she’s willing to answer a few questions for us.

Q: How did you get involved with LPR?

I met the publisher, Desirée Magney, at a writing conference and introduced myself. When I told her I was interested in becoming a reader, she talked with the editors and it turned out there was an opening and I was invited to join. I’d wanted to volunteer to be a reader for awhile, since I’d heard it was a great way to improve my own writing. I also wanted to give back a little to the writing community, by helping with the process of screening submissions.

Q: You’ve told me that being a reader for LPR has changed your own writing. Can you elaborate?

After reading for a short period of time, I began to realize that while craft elements like point of view, the balance of exposition and active scene, dialogue, setting, etc, were important, the story itself was really key. Mistakes in craft elements can be fixed, but if a story doesn’t seem to have a point, it doesn’t make the cut. Before being a reader I had been almost totally focused on craft without thinking much about story. I’ve gone back and re-written a number of my older stories since I started reading, sometimes even abandoning them completely when I couldn’t explain to myself why this story needed to be told.

Q: And how about your own submitting?

I was already submitting quite a lot, but one thing that’s changed for me now is that I will go back to a story that’s been rejected a few times and see if it needs more work. I used to just keep sending the piece out without further revision, but I’m much less reluctant now to revise a story if it isn’t getting picked up.

Continue reading

Editor Steven Leyva Published on Washington Independent Review of Books

“Proscenium Arch,” an essay by Steven Leyva, is available on the Washington Independent Review of Books website at this link. Leyva wonders what “makes theater arts a home for misfits and nerds, the ambitious and the reclusive, the energetic and the contemplative,” and suggests that it’s “the grandeur and mystery of how a few lines on a page become a full and vibrant spectacle that can instruct, entertain, challenge, and invigorate an audience.”

Leyva’s bio and his other essays on this website, “The Best Sandbox Ever,” “Sequential Imagination,” and “The Poetics of Anime,” are available at this link.