Concerning Craft: Ode to the World Before Climate Change

Marlena Chertock has two books of poetry, Crumb-sized (Unnamed Press, 2017) and On that one-way trip to Mars (Bottlecap Press, 2016). She lives in Washington, D.C., and uses her skeletal dysplasia and chronic pain as a bridge to scientific poetry. Her poems and short stories have appeared in Breath & Shadow, The Deaf Poets Society, Noble/Gas Quarterly, Paper Darts, […]

Concerning Craft: In Defense of the Multi-Genre Writer

Nicole Hylton is a writer-of-all-trades from southern Maryland. She writes poetry, short stories, and nonfiction essays and has completed two novellas, Internet Official and Dropping Her Gloves. Her work has appeared in The Doctor TJ Eckleburg Review (where she is a regular contributor), Aethlon, and SlackWater. She holds a BA in English from St. Mary’s […]

Concerning Craft: Four Ways to Find Inspiration in Writer’s Block

Adam Gianforcaro is the author of the poetry collection Morning Time in the Household, Looking Out and children’s picture book Uma the Umbrella. His poems can be found in Poet Lore, the Minnesota Review, Maudlin House, Literary Orphans, and others. Adam’s poem, “I Want to Hold My Boyfriend’s Hand,” appeared in LPR’s Winter Issue 2019 (available […]

Concerning Craft: To the Writer Who Is Not Writing

This guest post comes from Alicia Mountain. Her poem, “Without Drawing the Blinds,” appeared in LPR‘s Summer Issue 2018 (available for purchase at this link). Mountain is the author of the collection High Ground Coward (University of Iowa Press), which won the Iowa Poetry Prize, and the chapbook Thin Fire (BOAAT Press). She is a lesbian poet, critic, and educator based […]

Concerning Craft: A Memory Is Not a Poem

This guest post comes from Tim Hunt. In 2013, Little Patuxent Review published Hunt’s poem, “Thelonious Monk (The Village Vanguard, NY City), Third Take.” This poem will be included in Ticket Stubs & Liner Notes, which is forthcoming in November and which won the 2018 Main Street Rag Poetry Book Award. The poems in the collection tend more toward 1950s rock […]