Concerning Craft: Four Ways to Find Inspiration in Writer’s Block

Adam Gianforcaro is the author of the poetry collection Morning Time in the Household, Looking Out and children’s picture book Uma the Umbrella. His poems can be found in Poet Lore, the Minnesota Review, Maudlin House, Literary Orphans, and others.

Adam’s poem, “I Want to Hold My Boyfriend’s Hand,” appeared in LPR’s Winter Issue 2019 (available for purchase through this link). He read this poem and two others at our issue launch in January (video below). In this guest post, which is part of our regular “Concerning Craft” series, he focuses on strategies for overcoming writer’s block.

Writer’s block is one of the most thwarting traditions of the creative mind, but one we all experience. Some try to find ways over this block with a change of environment or a third pot of coffee, but after a short break, writers often come back to their laptops still feeling frustrated and uninspired. Instead of seeing writer’s block as a barrier to a current project, it may help to imagine it as a detour sign, a cue to change directions and take in new scenery before coming back to the road where you had originally stopped.

There are plenty of ways to get out of your head and back to the project at hand, but when writer’s block shakes the foundations of creativity and rises from the ground with wrath and fury, why not fight this creative suppressant by creating art of another form?

  • Get inspired: Many people find reading one of the best remedies for overcoming writer’s block. Not only is it a good way to get out of your own head, but it’s also a great way to find inspiration. One way to do this is by viewing the work you are reading in its micro form, sentence by sentence. For example, while reading If Beale Street Could Talk, I came across a sentence that stopped me in my tracks: “The mind is like an object that picks up dust.” Lines like these, even when taken out of context, sing with beauty and symbolism and versatility. With this, writers can find inspiration not in grand ideas and plot direction, but by viewing books and other art works that once seemed familiar in a new and up-close way.
  • Repurpose an old work: Giving an old piece of writing a new identity may also help you break from your barricaded funk. Take inspiration from the previous Beale Street prompt by scouring some of your writings and searching for one or two of your sharpest sentences. Then, use these as inspiration for a poem. Or, if you have an old poem, use a line or two from that as your muse for a short story or creative nonfiction piece. There are many ways to repurpose old writings—even those that may be unsuccessful in their current format—and make them shine like new.
  • Design a broadside: For poets and flash-fiction writers, broadsides are an underrepresented and underutilized way to breathe new life into your work. Experimenting with two-dimensional design and adding visual enhancements to a short work (new or old) can turn your literary feat into a piece of visual art. And don’t worry if you don’t think you can draw well. Simplistic line drawings and abstract color blocking can take your work from a great piece of writing to an awe-inspiring broadside.
  • Make something and destroy it: Writer’s block can be frustrating, and many times, we may not want to dive into another project or experiment with different forms of art to help alleviate the obstruction at hand. Writer’s block can make you want to throw your laptop out the window, burn your notebooks, and scream bloody murder. We have all been there. So embrace that feeling, but in a safe and constructive way. For example, you can build a tiny fortress with toy building blocks, only to tear it down with an aggressive swoop of the hand. Of course, yoga or aerobics could also act as positive, physical ways to alleviate the frustrations of writer’s block, but you may find it symbolically pleasing to build your own walls with colorful pieces of plastic and use your hand as a wrecking ball. The only downside of this is the clean-up afterwards.

So whether you decide to take a break from your current writing project to create something new or use your time to figuratively destroy the physical manifestation of writer’s block, using these tips can help you gain a new sense of accomplishment and greater control for getting around the wall that was once obstructing your writing. And with this clearer vision, you will see that the wall wasn’t all that big in the first place, and all you had to do was take a step back and walk around.

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Meet Our Contributors: Q&A with Grace Kiyonaga

Grace on the trip that inspired “June in California” (click to enlarge).

Grace Kiyonaga is a poet living in Washington, D.C. Originally from Maryland, she made her way back to the D.C. area after living in New York City and exploring Chile. Grace discovered her voice while minoring in creative writing at NYU. She finds solace in how poetry captures her passion for and constant observation of life and her adventures, big and small.

Grace’s poem, “June in California,” appeared in LPR’s Winter Issue 2019 (available for purchase through this link). She read this poem at our issue launch in January (video below). We’re very grateful she’s willing to answer a few questions for us.

Q: Congratulations on your first published work! Really though, we at LPR are the lucky ones to have published you. Is it different seeing this poem in print from when you first finished it?

Thank you! Receiving my Little Patuxent Review acceptance email was such a rush of joy and excitement. About a year ago I decided I was going to buckle down and start writing more and submitting my work to journals. It’s been an amazing feeling to be a part of this journal and to see my poem printed alongside so many talented writers. It still feels surreal and makes me smile every time I think about it. Seeing the poem in print has allowed me to have more appreciation for what might make it stand out to a reader. I hadn’t really imagined what my first published work would look or feel like because it felt so far-fetched. The experience of being accepted by LPR, reading at the Winter 2019 Launch, and flipping through the journal and seeing my poem is far more special than I could have ever imagined.

Q: I notice that in your bio, you describe “solace” in how poetry captures your passion for life. The last line of “June in California” refers to “the thrill of making everything a story.” What’s the relationship, in your words, between this solace and this thrill?

Writing and reading poetry take me to a place I would describe as calm, alive, observant, loving, and full of possibility. I think the connection is that for me, poetry can take even the most ordinary aspects of life and the simplest interactions with people, objects, ideas, and emotions, and make them beautiful. I often find that poems can vibrate into the reader and cause them to feel like there is someone out there who has taken what they also observe as worthy of celebrating and put it into an awe-inspiring combination of words that tell a story.

Q: How did minoring in creative writing help you to discover your voice?

I had a great time minoring in creative writing and being part of a creative writing club while in I was in undergrad. I say these experiences helped me to discover my voice because they introduced me to a form of expression that hadn’t seemed approachable to me before. I look back now and I cannot help feeling like I took it for granted! The chance to read numerous collections of poetry and workshop weekly with my peers was defining for me. The practice helped me take the images and emotions I wanted to express and put them onto paper.

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