Anthony Moll is a poet, essayist, and educator. He holds an MFA in creative writing & publishing arts and is completing his PhD in poetry & Queer theory. His chapbook about the melancholy of the modern workplace, Go to the Ant, O Sluggard, is available from Akinoga Press. His debut memoir, Out of Step, won the 2017 Non/Fiction Prize from The Journal and will be available in July 2018 from Mad Creek Books.
Our Summer Issue 2018 launch is on Sunday, June 3, at 2 p.m. (information on our events page).
Q: You said at the launch that this was your third try submitting poems to your friend and our editor, Steven Leyva. Can you say something for our readers about the persistence required for publishing?
Yeah, at the launch reading I mentioned how even though the editor of LPR is a close friend of mine, I twice had poems rejected from the journal before this poem was accepted. For readers worried about rejection, I think this demonstrates two (sort of conflicting) ideas:
1) Rejection can be an act of love—to have a piece rejected that isn’t yet ready can be a good thing for writers submitting their work. In the long run, I’d rather have a smart editor say no to a piece that isn’t yet done than to have work with my name on it out there in the world when it isn’t yet fully polished. BUT,
2) Editors have their own tastes and biases too, so writers really need patience if they’re going to find the right home for their work. Sure, in some instances that work might not be ready, but there are also cases in which a writer is submitting solid, well-developed writing that just doesn’t fit an editor’s taste, a publication’s literary aesthetic, or an issue’s vision/theme.
One of the skills that writers need to develop (and continually recalibrate) is the ability to determine when one needs to keep looking for a home for a piece, and when one needs to pause and turn back to revision.