JoAnna Wool’s short story “Vacation” appeared in the twentieth-anniversary issue of Lake Affect magazine. Her story “The Babies” will appear in autumn of 2018 in The Boston Review. She studied creative writing at Boston University, has taught writing at several Boston-area colleges and universities, and is currently writing a novel. She lives in Brookline, Massachusetts.
Q: Because of time constraints, you weren’t able to read your whole short story at our launch. Did the excerpts read differently to you as pieces and out loud?
Not being able to read the whole story was less of an issue for me than the fact that I couldn’t read from the beginning. The opening of the story is very quiet, and also just too long, and it wouldn’t have had any impact at all if I hadn’t read the whole section. So, I read a section from the middle, and although I believe it stood on its own, I ended up suspecting that the audience—engaged and attentive as it was—didn’t appreciate the significance of certain developments. That’s probably inevitable because of the type of story it is; it’s only by reading the story that you’d be able to see clearly how the magical realist doppelganger plot of the story relates to and propels its parallel plot, which centers on how Mia feels about her inability to have children.
Q: Do you have any tips or advice for writers who have to give summaries about their work in the context of a reading? I imagine it must be frustrating because you wrote the story as an integrated whole.
My best advice is to read from the beginning! If a summary is absolutely necessary, I think it’s best to focus on your characters and themes at least as much as you do on the plot, so that the audience understands the deeper meaning of the action in the passage that you read. Of course, that only increases the challenge of writing a summary of reasonable length.