Self-Interview: Clarinda Harriss

Writers agonize over the every word, then painstakingly revise and edit. And visual artists tend to communicate best at the preverbal level. So the prospect of having to spew spontaneous utterances at the behest of a stranger can be unnerving. While some grin and bear it, others find a better way to bare their souls: fabricating […]

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What Audacity Looks Like

The other day, I came across photographs of the audacious Russian street-art group Voina. What struck me most was how ordinary the members looked. They could have easily been any undergrads from any American campus. Yet, the Russian government has brought more than a dozen criminal cases against them. The same government that also saw fit […]

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Meet the Neighbors: Atticus Review

A journal like Little Patuxent Review requires a vibrant literary and artistic community to thrive–and even survive. In appreciation of the cultural entities around us, we present “Meet the Neighbors,” where we provide you with some personal introductions. At the start of 2010, Mother Jones published a piece that asked whether it was time to write […]

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Audacious Ideas: Bringing Back Serialized Literature

Audacity defines the best and worst within us. It is boldness or daring, accompanied by confident or arrogant disregard for personal safety, conventional thought or other restrictions. It is also effrontery, insolence or shamelessness. The “Audacious Ideas” essay series celebrates this theme, which serves as the basis of our Summer 2012 print issue. In 1878, Scribner’s […]

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Concerning Craft: Paul Lamb

The “Concerning Craft” series introduces Little Patuxent Review contributors, showcases their work and draws back the curtain to reveal a little of what went into producing it. Please meet Paul Lamb. His stories have appeared in Bartleby Snopes, Danse Macabre, Midwest Literary Magazine, Crossed Genres and Platte Valley Review. “The Respite Room” was published in our Winter 2012 […]

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