My Two Heads

My first memory of a structured music environment comes from the fourth grade at Nativity, a Catholic school in Washington, D.C. The overexuberant nun insisted that we bend our thumbs at a ninety-degree angle, open our mouths, and stick the top of the crook between our lips so that they would form an oval. That […]

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Reader Response: Written in Silence, Inspired by Sound

We love getting your reactions to the material that we post. If your message contains new information or images, we may even publish it as a separate piece. Here’s how I came upon–and combined–what two of our readers, one a member of the LPR staff, the other a contributor working on a post for our blog, sent […]

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An Interview with Rebekah Remington

I find it hard to believe Rebekah Remington when she tells me that she’s dealt with failure. Rebekah is the winner of the 2013 Clarinda Harriss Poetry Prize for her chapbook Asphalt. It is a solid collection, marked by eloquence and vision. I believe it to be a success but am sympathetic to her remarks. […]

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What it Means to be a Musician and a Poet: Truth Thomas

I liked Truth Thomas the moment that I met him and soon came to appreciate his poetry. But I never knew how much until I heard him read “What The Snake Whispered in Eve’s Ear,” which eventually made its way into his book Speak Water, which eventually won him the 2013 NAACP Image Award for poetry. When he […]

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LPR Loves…Acoustic Art

We keep coming across amazing material that doesn’t fit neatly into any of the pieces that we’re preparing. So we started the “LPR Loves…” series, where we simply share it with you without too much additional comment. When I sit down to write, I turn on my computer. Then turn on my music. And don’t […]

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