Little Patuxent Review (LPR) will host its annual reading at The Writer’s Center on Saturday, March 17th from 2:00 – 4:00 PM. We will feature artists from our Winter 2018 issue, including poets of the Black Ladies Brunch Collective (BLBC) and other readers of fiction and nonfiction. View the work of our featured artist, Paul Rucker. Join us for this exciting event and the opportunity to meet the authors, as well as editors and other staff of LPR. Refreshments will follow to start your St. Patrick’s Day celebrations early.
The Winter 2018 issue is available for purchase at this link.
Highlights from the Winter 2018 issue are available at this link.
The “Concerning Craft” series introduces Little Patuxent Review contributors, showcases their work and draws back the curtain to reveal a little of what went into producing it.
Our latest comes from Mary Makofske, whose poem “Museum of Dusty Metaphors” appeared in LPR’s Summer 2015 issue. More recently she is the recipient of the 2017 Atlanta Review International Poetry Prize and the 2017 New Millennium Poetry Prize. Her poem “Doldrums Near the End of Empire” appears on the New Millennium site. Her latest book is World Enough, and Time (Kelsay, 2017).
Inspiration and perspiration
Inspiration is real—that bolt of lightning out of nowhere, the whole line, or whole stanza, or whole poem which appears like magic. But that gift is, for most of us, rare, and it’s more likely we will receive such gifts when we’ve had years of practice. Jane Hirchfield says of the “gift” poem: “A person cannot speak much of ‘craft’ under those circumstances, except to the degree that craft is pressed into the psyche over a lifetime of reading and writing poems.”
No one who hasn’t studied and practiced for years is going to sit down at a piano and compose a symphony. We can’t expect poets to become expert without experience, either. Yes, there are the rare geniuses, but for most of us, some perspiration is required.
Inspiration for me has come not only from my own experience and observation, but though the poems of writers I admire. My poetry pantheon has challenged me to take on subjects and styles I feared. I read poems in two ways. One is analytical—reading a poem carefully and examining how it works. Is it a formal poem, such as a sonnet or sestina? If it is free verse, how is it structured? How does it use metaphor? Does it contain an “I” speaker? Does it address someone? How does it handle time? Where does the poem go? Where does it begin, how does it progress, how does it end?
Winter 2018 Issue: Launch on January 21, 2018, 2:00 pm
Oliver’s Carriage House
5410 Leaf Treader Way
Columbia, MD 21044
The winter 2018 issue launch will feature readings of poetry, fiction, and nonfiction, a presentation of the Michael J. Clark Best of LPR Fiction Award, and a video presentation by artist Paul Rucker. Readers will include Katy Day (poetry), Edgar Garbelotto (fiction), and Aspen Stoddard (nonfiction), as well as members of the Black Ladies Brunch Collective.
Audience members can meet the contributors, purchase copies of LPR, and enjoy light refreshments. The complete program is available at this link.
Mary Makofske, whose poem “Museum of Dusty Metaphors” appeared in LPR’s Summer 2015 issue, has received the 2017 Atlanta Review International Poetry Prize and the 2017 New Millennium Poetry Prize. Her poem “Doldrums Near the End of Empire” appears on the New Millennium site.