For our first 12 print issues, you’ve had to wait for the launch party to sneak a peek at what’s inside. But seeing that 13 is a lucky number and our Issue 13 comes out at the start of 2013, a most auspicious year, it’s time that you caught a lucky break. Therefore, we’ve set it up so that you can preview the text of two pieces in advance. And, unwilling to leave things entirely to chance, we’ve armed you with cheat sheets, as well.
All you need to do is turn to our Winter 2013 Doubt issue page, where we present the complete table of contents, and click on two highlighted items. Those are Laura Shovan’s “Editor’s Notes” and the Clarinda Harriss poem. Then see what these two literary ladies have to say about that in the sections below.
Of course, if you’re one of those rare individuals who’s completely comfortable with uncertainty and doesn’t doubt his or her ability to make it to the launch, we wouldn’t want to spoil any surprises. Simply skip what’s written here and head straight for Oliver’s Carriage House this Saturday, where we’ll be sure to save you a good seat.
Your Cheat Sheet for “Editor’s Note”
Necessity may be the mother of invention, but doubt is the agent of change.
In our 13th issue, 30 writers and artists examine the role that doubt plays in marriage, religion, art and identity. Doubt can be triggered by small moments such as watching a handyman at work fifteen feet in the air [i] as often as it comes from the force of a failing marriage [ii] or a tsunami’s destructive power [iii].
There are those who live in a perpetually agnostic state, calling into question everything from religion and community to the self and one’s perception of reality [iv]. For these doubters, something as simple as a taste of honey harvested from a backyard hive can be enough to restore faith in society [v].
Human culture would not evolve without such proof-seeking minds. If nobody questioned status quo thinking about how the autistic mind works [vi], what it means to be a painter in 2013 [vii] or who created a Renaissance masterpiece [viii], human history could not move forward. Whether the results are “correct” or not, the process of change begins when one doubter pulls apart what is accepted and puzzles together facts and observations to create a new theory.
The product of doubt, whether one has scrutinized a childhood memory [ix] or re-envisioned a character from the Bible [x], must be a new way of looking at the world. Our hope is that you, the reader, will engage in the inter play between doubt and change as you read this issue of Little Patuxent Review [xi].
— Laura Shovan
…And another for “Blasphemy is the Child of Faith and Doubt”
Because of or despite the fact that I come from agnostic–Quaker/atheist–Episcopalian parents, I have always been obsessed with the what-ifs implicit in biblical lore. And I have always been fascinated by the much underrated or downright dissed female leads in that lore–Eve, Lilith and, of course, Mary Magdalene, who I have known since childhood was the wife of Jesus. (What is UP with a few current scholars acting as if they had just discovered that Jesus was married?) In addition, I love to re-tell old stories with some crucial part left out–like, suppose Cinderella got zapped to the ball WITHOUT THE DRESS? In a poem written years ago and published in Sybil-Child, I envisioned her standing ragged and astonished at the top of the stairs descending into the ballroom, then pulling off her filthy kitchen togs. Standing there gorgeously naked. No wonder the Prince fell for her.
— Clarinda Harriss
[i] Award-winning poet and children’s author Jacqueline Jules makes her first appearance in LPR with the poem “Standing in the Air.” It explores the way in which everyday moments, in this case observing someone repair a roof, can create self-doubt. Jules uses dialogue to establish the character of the workman, which contrasts with that of the speaker. (p. 50)
[ii] The short story “Mediation” by Lisa Lynn Biggar was submitted for our Summer 2012 Audacity issue, but Fiction Editor Jen Grow felt that the piece was a better fit for the current theme. Biggar uses dramatic irony to explore a modern love triangle. (p. 70)
[iv] There are several pieces in this issue that examine the nature of reality and how it affects views of the self. I particularly like the use of pop culture detail in Kim Jensen’s poem “Perimeter.” (p. 45)
[v] Cynthia Grier Lotze’s timely poem “When You Began Keeping Bees” is filled with sensory images. Home beekeepers in our local community, Howard County, Maryland, recently won a battle against a zoning law that limited backyard beekeeping. (p. 80)
[vi] Lauren Camp’s poem “The Dam of Asperger’s” uses spacing and other form elements to mirror the difficulties a teacher or parent might face communicating with a child on the autism spectrum. (p. 46)
[viii] In the first LPR essay featuring a classical work of art, Michael Salcman posits an alternate “author” of The Walter’s Art Museum’s masterpiece, The Ideal City. (p. 35)
[ix] This issue includes several pieces in which contributors view a childhood experience through the lens of adulthood. Check out P. Ivan Young’s “Nerf Football,” one of a series of poems about urban childhood friends, and Bruce Alford’s evocative prose poem “What to Leave Out.” (pp. 27 and 68)
[x] Frequent contributor Clarinda Harriss acts as a voicebox for the biblical characters Eve, Lilith and Mary Magdalene in her three-part poem “Blasphemy is the Child of Faith and Doubt.” (p. 66)
[xi] Among the powerful pieces not mentioned is Le Hinton’s poem “No Doubt About It (I Gotta Get Another Hat),” a tribute to the late Baltimore poet Chris Toll, who leaves behind a rich legacy of visual and linguistic experimentation. (p. 82)